Items where Subject is "All subjects > Fine Art"

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Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2018) Boat at sea. [Artefact]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2023) Breathing: An artist’s reflection on the visualisation of an interoceptive experience. The figurative imagination dissolves into the flux of process. PSIAX, 7. pp. 9-22. ISSN 1647-8045

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2018) Drawing and the street texts of Chapeltown. Drawing: Research, Theory and Practice, 3 (1). pp. 75-85. ISSN 2057-0384

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Drawing as a tool for shaping community experience into collective allegory. In: Collective and collaborative drawing in contemporary practice. Cambridge Scholars Publishing, pp. 192-215. ISBN 9781527503472

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2015) Drawing as collective narrative. In: Drawing Conversations Symposium, December 2015, Coventry University.

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2021) Drawing the Embodied Mind: A Project Report on Research Into Interoception. PSIAX #5 ESTUDOS E REFLEXÕES SOBRE DESENHO E IMAGEM, 5. pp. 17-24. ISSN 1647-8045

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: piscean promises - Leeds Arts University. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: piscean promises - Workshop Press Gallery. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Garry Barker: tree listening: a ceramic installation. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2011) In the shadow of the hand - narrative drawings. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2021) Is It To Feel Each Limb Grow Stiffer, Is It To Feel The full Potential Of A Life? TRACEY, 15 (1). pp. 1-17. ISSN 1742-3570

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2020) NEST. [Artefact]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2015) New territories of the filth dimension. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2017) Stories from the sculpture city. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2013) There is nothing like a shave to make a pig feel like a man again. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2021) Votive Cards. [Artefact]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 (2018) You and I are discontinuous beings. [Show/Exhibition]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 and Donna, Coleman (2021) The Screen Will Not Fill the Void. [Artefact]

Barker, Garry ORCID: https://orcid.org/0000-0002-1686-3738 and Oben, Tiff (2023) Halting Implosion. [Artefact]

Blagg, Peter (2022) Bees, Mills and Museums. [Artefact]

Blakeley, Lydia (2018) You’re Doing Amazing Sweetie. [Show/Exhibition]

Boiangiu, Gabriela Monica ORCID: https://orcid.org/0000-0002-6793-0494 (2022) Weeds. [Artefact]

Broadhead, Samantha ORCID: https://orcid.org/0000-0001-9469-1233 (2014) Paula Chambers: A review of ‘With Intent: Fanciful Objects’ [review]. Yorkshire Arts Journal.

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Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880 (2023) An Encounter with Marternal Materiality: Cathy Wilkes and the Green Dress. In: An Artist and a Mother. Demeter Press. ISBN 978-1-77258-428-8

Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880 (2022) The Lost and the Found: Stories for the After-Life (of Objects). The Journal for Psychoanalysis, Culture and Society, 27. pp. 136-144.

Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880 (2016) Transcendental housework. JourMS: The Journal of Mother Studies, 1.

Chambers, Paula ORCID: https://orcid.org/0000-0002-8245-9880 (2022) Working Girls. [Show/Exhibition]

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2019) Call it what you like. Art as words, spoken and heard. Corridor 8.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2019) Ericka Beckman & Marianna Simnett at FACT Review. Burlington Contemporary [online].

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2018) In uncertain words. In: Complexities Appeals and Paradoxes of Language, 17 November 2018, London Centre for Interdisciplinary Research, Birkbeck University. (Unpublished)

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Latent voices: how public art of the past can speak in the present. Corridor 8.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) Launchpad. [Show/Exhibition]

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) 'Lucy Beech: me and mine' review. The Double Negative.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) Nor stamp hard on the ground neither. UNSPECIFIED.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2020) Our Plan is to Announce. [Artefact]

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) ‘Public’ Art on Campus: strategy and reality in UK universities. a-n.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2019) Re-collections: Susan Hiller, Elizabeth Price, Georgina Starr. Corridor8.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2016) Reflexive modernity: the work of Chris Paul Daniels. The Double Negative.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Simple tools make the task easier. UNSPECIFIED.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2017) Spectral evidence. N/A. (Unpublished)

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) Tomorrow belongs to nobody. [Artefact]

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2015) The follies of youth. [Show/Exhibition]

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2014) A parlay. N/A.

Crouch, Amelia ORCID: https://orcid.org/0000-0001-9355-8254 (2016) The scientific method. [Show/Exhibition]

Cumberland, Kelly ORCID: https://orcid.org/0000-0002-7936-4434 (2019) Biomórfica. [Show/Exhibition]

Cumberland, Kelly ORCID: https://orcid.org/0000-0002-7936-4434 (2015) MANUAL v1.1. [Artefact]

Cumberland, Kelly ORCID: https://orcid.org/0000-0002-7936-4434 (2020) Tracing entropy. [Show/Exhibition]

Cumberland, Kelly ORCID: https://orcid.org/0000-0002-7936-4434 and Walker, Michael (2015) Manual v.2.0: Dibuix per La Plaça Porta de Santa Catalina (A drawing for Placa Porta de Santa Catalina). [Show/Exhibition]

Cumberland, Kelly ORCID: https://orcid.org/0000-0002-7936-4434 and Walker, Michael (2016) Manual v.2.1. [Artefact]

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Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) Arranged in Time and Space. [Artefact]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) The Distressed Look. [Artefact]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) Echo Chambers. [Artefact]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2023) Head On. [Show/Exhibition]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) Ideas Are Easy - Artist tutorial. [Video]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2022) Insert Yourself. [Show/Exhibition]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) It Is Solved By Walking. [Show/Exhibition]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2023) Self-Supporting. [Performance]

Dale, Nicola ORCID: https://orcid.org/0000-0002-7845-8658 (2021) Strike. [Show/Exhibition]

Darbyshire, Ralph ORCID: https://orcid.org/0000-0001-5192-659X (2018) Not really understanding stuff: A reptile reliquary. [Artefact]

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Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X (2021) After the Jugness of the Jug: a drawing to make sculpture from. Method: plan & elevation with a touch of embodied dreaming thrown in. [Artefact]

Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X (2015) Reflections on The Good, The Bad & The Ugly. [Creative Project]

Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X and Schwab, Linda (1994) Object. [Artefact]

Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X and Schwab, Linda (1994) Wunderkammer: the female gaze objectified. [Show/Exhibition]

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Horton, Derek and Blakeley, Lydia (2017) Leisure. [Show/Exhibition]

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Lori, Ope ORCID: https://orcid.org/0000-0002-3578-9668 (2019) Beyond the feminine: The politics of skin colour and gender in visual representations. Bloomsbury. ISBN 9781788315036 (In Press)

Lori, Ope ORCID: https://orcid.org/0000-0002-3578-9668 (2019) ‘Should I, shouldn’t I?’: A self-reflexive study in unpacking ideologies of race while devising a critical studies fine art programme. In: Inclusion and Intersectionality in Visual Arts Education. Trentham Books @IOE Press. ISBN 9781858568393

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McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2021) Kate MccGwire: Boundary Creatures. In: Kate MccGwire. Anomie. ISBN 9781910221259

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134 (2017) A surrealist stratigraphy of Dorothea Tanning’s chasm. Routledge. ISBN 9781472463449

McAra, Catriona ORCID: https://orcid.org/0000-0001-7680-4134, Weisz Carrington, Gabriel, Aberth, Susan L., Wynd, Viktor and Warner, Marina (2016) Leonora Carrington/Lucy Skaer. [Show/Exhibition]

Mooney, Abbie (2020) The Chris Graham Collection. [Show/Exhibition]

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Simpson, Ben ORCID: https://orcid.org/0000-0002-5917-3622 (2018) The norms: processes and production. [Artefact]

Steans, David ORCID: https://orcid.org/0000-0002-0153-8983 (2021) Curtainz. [Creative Project]

Steans, David ORCID: https://orcid.org/0000-0002-0153-8983 (2023) Decade of the Damned: Notes on School of the Damned 2013 – 2023. In: Cooperative Education, Politics, and Art: Creative, Critical, and Community Resistance to Corporate Higher Education. Routeledge. (In Press)

Steans, David ORCID: https://orcid.org/0000-0002-0153-8983 (2018) From the lounge. [Artefact]

Steans, David ORCID: https://orcid.org/0000-0002-0153-8983 (2022) Mummy Hood Nesting Forest. [Creative Project]

Steans, David ORCID: https://orcid.org/0000-0002-0153-8983 (2019) Necrotic biography room. Pavilion and Leeds Arts University.

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Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 (2017) Aspirational beauty: painting class …the importance of personal narrative in painting. In: Teaching Painting: How Can Painting be Taught in Art Schools? Black Dog publishing, London. ISBN 9781911164104

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Gaffney, Sheila ORCID: https://orcid.org/0000-0002-5894-873X (2018) Regenring …visual lives. Journal of Writing in Creative Practice, 11 (2). pp. 217-232. ISSN 1753-5204

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Nougarède, Magali (2014) Labour exchange. [Show/Exhibition]

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis ORCID: https://orcid.org/0000-0003-4868-1717 (2022) Backgrounds and Backdrops. [Show/Exhibition]

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis ORCID: https://orcid.org/0000-0003-4868-1717 (2015) Catalytic commoning. [Show/Exhibition]

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis ORCID: https://orcid.org/0000-0003-4868-1717 (2017) Little pink bush. [Show/Exhibition]

Taylor, Sarah ORCID: https://orcid.org/0000-0002-1881-3427 and Paul, Lewis ORCID: https://orcid.org/0000-0003-4868-1717 (2019) London Spinner. Shortwave.

Tyman, Derek ORCID: https://orcid.org/0000-0002-4098-5954 (2014) Where do I end and you begin. [Show/Exhibition]

Tyman, Derek ORCID: https://orcid.org/0000-0002-4098-5954 and Rushton, Emma (2013) Fear of the surplus. [Show/Exhibition]

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Virgoe, April ORCID: https://orcid.org/0000-0002-5021-2816 (2015) Grimsby School of Art architectural facade. Grimsby School of Art.

Virgoe, April ORCID: https://orcid.org/0000-0002-5021-2816 (2021) Nexus, veil: Robert Ryman and the equivocal spaces of abstraction. Journal of Contemporary Painting, 7 (1-2). pp. 39-59. ISSN 2052-6709

Virgoe, April ORCID: https://orcid.org/0000-0002-5021-2816 (2019) Phase III le modulor /Phase IV intersections art/architecture. Galerie HLM.

Virgoe, April ORCID: https://orcid.org/0000-0002-5021-2816, Holley, Patrick and Lillywhite, Chris (2016) Lost and found. [Artefact]

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Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2014) All coherence gone? historical currents in contemporary still life group exhibition. [Artefact]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2016) Consumer poster project. [Show/Exhibition]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2019) Swap editions: BREX-Kit group exhibition and multiples edition. [Artefact]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 (2013) Wild oats group exhibition. [Creative Project]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Herrington, Katie (2018) Still life: things devouring time. [Show/Exhibition]

Woolley, Dawn ORCID: https://orcid.org/0000-0001-6958-5658 and Watne, Davin (2018) Dreamers. [Show/Exhibition]